- #HOW TO DO PUNCH IN RECORDING IN PROTOOLS 12 MAC OS#
- #HOW TO DO PUNCH IN RECORDING IN PROTOOLS 12 PRO#
#HOW TO DO PUNCH IN RECORDING IN PROTOOLS 12 MAC OS#
On Mac OS X, MIDI interface and instrument communication is handled by the built-in Core MIDI services, using the Audio MIDI Setup utility to add and configure devices.
#HOW TO DO PUNCH IN RECORDING IN PROTOOLS 12 PRO#
Pro Tools doesn't communicate directly with MIDI devices, instead relying on the computer's OS to handle the low-level I/O. This means that even if you aren't actually using any hardware MIDI sound sources, you'll need to get to grips with setting up MIDI I/O for the computer, if you haven't already. MIDI tracks can be routed to hardware devices, soft synths or modules in slaved Rewire applications.Although it's possible to draw MIDI data into tracks using the pencil tool, chances are you will be connecting a MIDI keyboard to record with. The theory goes that it's good to view whatever you're editing alongside other elements, and see MIDI notes displayed with sample accuracy against audio tracks. If you need to fine-tune something, you can zoom right in and adjust individual elements. This is consistent with Pro Tools ' philosophy of not having special edit windows for different tasks. Just like audio, MIDI is recorded directly into the Edit window, with all further editing and arrangement happening here. Like audio tracks, MIDI tracks have input and output selectors in the Mix window, except that this time they are use to choose source and destination MIDI devices. MIDI tracks are created from File menu's New Track command, and each track always exists as both a record/edit lane in the Edit window, and a fader strip in the Mix window. Recording and editing sections of MIDI is handled in a very similar way to audio. Many MIDI packages have several environments for displaying and working with MIDI, but Pro Tools has just one.
It doesn't do score editing or anything fancy like audio-to-MIDI conversion, but otherwise it has everything covered. However, Digi have tried to make sure that Pro Tools now does everything it needs to do for the majority of MIDI users. So where does this particular piece of discussion-board lore come from? Well, it's probably fair to say that MIDI in Pro Tools was 'pretty crap' a few years ago. You often hear sentiments like "Yeah, but MIDI in Pro Tools is crap isn't it?", or similar, from people who've probably never actually used it. Pro Tools ' MIDI features are not as extensive as those of Logic, Cubase, DP or Sonar, but they certainly don't deserve the derision they often receive. While Pro Tools is widely known for its dominance in the field of computer-based audio recording, little is made of the fact that it also features fully fledged MIDI sequencing facilities.